Related Paintings of unknow artist :. | Some authors believe that in terms of artistic and architectonic activity | Still life floral, all kinds of reality flowers oil painting 197 | Arab or Arabic people and life. Orientalism oil paintings 577 | European city landscape, street landsacpe, construction, frontstore, building and architecture. 111 | Portrait of Stanislaw Kostka Potocki | Related Artists:
CORNELIS VAN HAARLEMDutch painter (b. 1562, Haarlem, d. 1638,
Dutch painter and draughtsman, was one of the leading Northern Mannerist artists in The Netherlands, and an important forerunner of Frans Hals as a portraitist. Cornelis Corneliszoon was a member of the Mannerist school of Haarlem, which was highly influenced by the work of Bartholomeus Spranger, whose drawings were brought to Haarlem by Carel van Mander in 1585, and had a strong immediate effect.[1] He painted mainly portraits as well as mythological and Biblical subjects. Initially Corneliszoon painted large-size, highly stylized works with Italianate nudes in twisted poses with a grotesque, unnatural anatomy. Later, his style changed to one based on the Netherlandish realist tradition. When his parents fled Haarlem in 1572, as the Spanish army laid siege to the city during the Eighty Years' War, Corneliszoon remained behind and was raised by the painter Pieter Pietersz., his first teacher. Later, Corneliszoon studied in Rouen, France and Antwerp, Belgium. Corneliszoon in 1583 received his first official commission from the city of Haarlem, a militia company portrait, the Banquet of the Haarlem Civic Guard. He later became city painter of Haarlem and received numerous official commissions. As a portrait painter, both of groups and individuals, he was an important influence on Frans Hals. Together with Carel van Mander, Hendrick Goltzius and other artists, Corneliszoon formed the Haarlem Academy or "Haarlem Mannerists". Probably this was a very informal grouping, perhaps meeting to draw nude models, and certainly to exchange artistic views.[2] Corneliszoon also played a role in reorganizing the Haarlem artists' and artisans' Guild of St. Luke, eliminating its medieval organization and raising the status of the artists. Corneliszoon married Maritgen Arentsdr Deyman, the daughter of a mayor of Haarlem, sometime before 1603.
MacLeod, William DouglasAmerican, 1811-92
Felix Nussbaum1904-44
Nussbaum was born in Osnabreck, Province of Hanover, as the son of Rahel and Phillip Nussbaum. Phillip was a World War I veteran and German patriot before the rise of the Nazis. He was an amateur painter when he was younger, but was forced to pursue other means of work for financial reasons. He therefore encouraged his son's artwork passionately. Nussbaum was a lifelong student, beginning his formal studies in 1920 in Hamburg and Berlin and continuing as long as the current political situation allowed him. In his earlier works, Felix was heavily influenced by Vincent Van Gogh and Henri Rousseau and he eventually pays homage to Giorgio de Chirico and Carlo Carre as well. Carl Hofer's expressionist paineng influenced Felix's careful approach color. In 1933, Nussbaum was studying on scholarship in Rome at the Berlin Academy of the Arts when the Nazis gained control of Germany.
